ALESSANDRODIGIAMPIETRO                                       SELECTED WORKS            

 

LIMBICO - A bankruptcy way for an uncertain stability -

Intensive: strong contrast colors permeate the eye retina, bringing along the senses, emotions and body. The immersive atmosphere of image, light, sound and bodies presses the visitor, to get in or get out. Probably the only way to activate the contemporary numb individual. But Alessandro’s space is not closed, but structured in a way to become the place animated by other artists. The installation is not a simple exhibition, but a world of inner organs. And we are erythrocytes, levkociti, leukocytes (and what more of these creatures there are…).

 

 

 

 

 

OVERLAPPING  

The identity of a community moulded by the volcano.

Census of the inhabitants of Stromboli Island 2010/2011 (Volcano Extravaganza 2011, Fiorucci art trust)

polaroids collage 10,8x8,6 cm, each 

 

 

 

 

 

WHATEVER YOU THINK I AM THAT IS WHAT I'M NOT

-RUNWAY 2017 MILAN FASHION WEEK-

 

 

 

 

GOLDENBOY 2009/2011  

Polaroid and gold background. Between icons and characters, 29 photographic portraits tear images and indifference. A work based on recognition, on one's mistakes and on the difficulty of the other ...

 

 

 

 

 

 

VUOTI FERITE CICATRICI

2012/2013 (portrait of Arimortis)     

180x75x20 cm Mixed media on Animal Skin .

ARIMORTIS is a project curated By Milovan Farronato and Roberto Cuoghi at Museo Del Novecento, Milan April/September 2013

The term that gives the exhibition its title - often abbreviated as "arimo" - is in fact used conventionally among children during the game, to ask for a suspension. In the windows of the Archives Room of the Museo del Novecento, the break allows "an intricate, unusual and suggestive cataloging of data: the works coexist with the objects of affection, the" memorabilia "with the strenuous - sometimes even dramatic - attempts to externalize the own intimate emotional responses ”.

 "The works on display represent an intentionally instinctual world that forces the seals of the white notice boards in white corian and crystal designed by Italo Rota: beyond the finiteness and perfect functionality, a whirlwind of oversized and oversized" window decals "that turns the perspectives artistic evaluation for the duration of the exhibition ". This shows the paradoxical presumption of forcing excesses under the display case, of confining drive attitudes without an overview or planning.

 

 

 

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